Detta album är verkligen inte det första i sin karriär, vi vill komma ihåg album som
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
186 låtar som utgör albumet är följande:
Här är en liten lista med låtar som Percy Bysshe Shelley skulle kunna välja att sjunga inklusive albumet från vilket varje låt är hämtad:
- On Death
- Fragment: To The People Of England
- Fragment: “Amor Aeternus'
- Ode To Naples (Strophe 1)
- Fragment: The Lady Of The South
- Invocation To Misery
- Fragment: Death In Life
- Lines To A Critic
- Fragment: ‘I Faint, I Perish With My Love!'
- Love's Philosophy
- Fragment: Love The Universe To-Day
- Fragment: Life Rounded With Sleep
- Another Fragment: To Music
- To Mary Shelley II
- A Fragment: To Music
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- The Aziola
- A Vision Of The Sea
- To William Shelley II
- Fragment: To One Singing
- Fragment: To Byron
- Sonnet To Byron
- Lines Written During The Castlereagh Administration
- ‘Mighty Eagle'
- To Constantia
- To William Shelley III
- Good-Night
- Time Long Past
- Fragment: To The Mind Of Man
- To Jane: ‘The Keen Stars Were Twinkling'
- The Boat On The Serchio
- The Birth Of Pleasure
- Ode To Naples (Antistrophe 1b)
- The Sunset
- The Two Spirits: An Allegory
- Mutability II (The flower that smiles today...)
- Ode To Naples (Epode 1a)
- The Question
- Lines Written In The Bay Of Lerici
- Fragments Written For Hellas
- Fragment: Love's Tender Atmosphere
- Autumn: A Dirge
- A Lament
- Lines: ‘When The Lamp Is Shattered'
- Fragment: Wedded Souls
- Fragment: Pater Omnipotens
- National Anthem
- To —.' Yet Look On Me.'
- Ode To Naples (Strophe 2)
- Ode To Naples (Antistrophe 2a)
- Song For ‘Tasso'
- Orpheus
- To The Lord Chancellor
- Hymn To Intellectual Beauty
- To Mary Wollstonecraft Godwin
- Lines: ‘That Time is Dead For Ever'
- Otho
- Epitaph
- To Mary Shelley
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Fragment: The False Laurel And The True
- Ode To Naples (Epode 2a)
- Mutability
- To Constantia, Singing
- Fragment: Satan Broken Loose
- Love, Hope, Desire, And Fear
- Fragment Of A Satire On Satire
- Ozymandias
- The Sensitive Plant Part I
- Fragment: Thoughts Come And Go In Solitude
- Stanzas.—April, 1814
- The Tower Of Famine
- Evening: Ponte Al Mare, Pisa
- Song To The Men Of England
- The Waning Moon
- To The Moon
- The World's Wanderers
- Fragment: A Wanderer
- The Cloud
- To Sophia
- Fragment: A Serpent-Face
- To —. ‘Oh! There are Spirits of The Air'
- Lines: ‘We Meet Not As We Parted'
- The Woodman And The Nightingale
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- To Jane: The Invitation
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- Epithalamium
- Lines: ‘The Cold Earth Slept Below'
- The Magnetic Lady To Her Patient
- Fragments Supposed To Be Parts Of Otho
- Music
- Lines Written Among The Euganean Hills
- An Allegory
- Buona Notte
- Lines To A Reviewer
- Stanzas Written In Dejection, Near Naples
- Fragment: Beauty's Halo
- The Indian Serenade
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Fragment: ‘The Death Knell Is Ringing'
- Hymn Of Pan
- Scene From ‘Tasso'
- Fragment: ‘When Soft Winds And Sunny Skies'
- To The Nile
- Fiordispina
- To Mary —
- Ginevra
- Time
- Fragment: ‘O Thou Immortal Deity'
- Fragment: “Igniculus Desiderii'
- Arethusa
- The Sensitive Plant Part II
- Fragment: Sufficient Unto The Day
- Death
- Ode To Naples (Epode 1b)
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- Fragment: Milton's Spirit
- A Hate-Song
- Marenghi
- ‘O That A Chariot Of Cloud Were Mine'
- The Isle
- Song
- Similes For Two Political Characters Of 1819
- Fragment: To A Friend Released From Prison
- On A Faded Violet
- Fragment: ‘My Head Is Wild With Weeping'
- Remembrance
- To-Morrow
- To Harriet
- To Jane: The Recollection
- The Fugitives
- Passage Of The Apennines
- Fragment: May The Limner
- Stanza, Written At Bracknell
- To Edward Williams
- Variation Of The Song Of The Moon
- Fragment: Music And Sweet Poetry
- From The Original Draft Of The Poem To William Shelley
- The Past
- Sonnet: Political Greatness
- Fragment: Home
- Fragment: The Lake's Margin
- The Zucca
- Summer And Winter
- Liberty
- Sonnet (Lift not the painted veil...)
- With A Guitar, To Jane
- Stanzas 1 And 2
- Ode To Liberty
- To A Skylark
- Fragment: ‘I Would Not Be A King'
- Hymn Of Apollo
- Fragment: To The Moon
- Ode to the West Wind
- Lines Written On Hearing The News Of The Death Of Napoleon
- Fragment: ‘Follow To The Deep Wood's Weeds'
- An Exhortation
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- A Summer Evening Churchyard
- Fragment: The Deserts Of Dim Sleep
- Fragment: ‘Great Spirit'
- On Fanny Godwin
- To William Shelley
- Marianne's Dream
- To Emilia Viviani
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- Fragment On Keats
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Fragment: Rain
- Cancelled Stanza
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- Fragment: ‘The Rude Wind Is Singing'
- From The Arabic: An Imitation
- The Pine Forest Of The Cascine Near Pisa
- Ode To Naples (Antistrophe 1a)
- The Sensitive Plant Part III
- Dirge For The Year
- Fragment: Apostrophe To Silence
- Cancelled Passage
- Fragment: Zephyrus The Awakener
- Fragment: The Vine-Shroud
- Ode To Naples (Antistrophe 2b)
- Fragment: ‘The Viewless And Invisible Consequence'
- Ode To Naples (Epode 2b)